It's been 7-ish months since Will died by suicide.  It's been long enough that it's not "the thing" that everyone's talking about.  But it's still close enough that, like, it's still sort of a thing.  At least to his sister.  And to the girl he hooked up with.  Who has ownership over a tragedy? How do you try and make sense of a loss when you still have to show up and survive school every single day?

Here are three ways to perform this choose-your-own-ending piece:
1: the director picks their favorite path and the show is performed the same every night. 
2: the actor decides in the moment which path the play takes.
3: the audience votes in real time, determining which path the play takes.
One play: three moments of decision, leading to eight possible endings.  The choice is yours. Hit that "read it for free" button above and choose the resource guide for more info on how to pull it off.

Featured in: The Kennedy Center New Visions/New Voices Festival (2020), The 2020 Kilroys List

"Every night the lobby buzzed with the audience debating the choices made and the scenes left unseen. We ended up extending our sold-out run (which then sold out again!) to accommodate families, returning audience members, and friends and our whole community who absolutely loved this show." - Will Kiley, director

**For security purposes, the jump links to pages have been disabled in the perusal script. Please email hello@uproartheatrics.com to request a PDF with active jump links and we'll shoot one your way.**

Even after William’s death, high school life has trudged on. But when Sara & Aimée start planning “Alive Together” to honor William, his sibling Vivian finally takes a stand and ask-demands Sara to cancel the event. 

But should Vivian get to decide, given that William and Sara were “a thing, like romantically” and The Band has been planning their debut for the event? And did anyone think to ask Brett and Aüge who really knew Will, but have been cutting class all year? And what’s going on between Brett and Aüge anyway?